Harp
Recreating the sound of the harp of the late medieval period - the 14th and early 15th centuries - is an exciting challenge to today's performer. Then, as now, the nature of the performance depended largely on the skill and inclinations of the performer, the technique used, musical originality and creativity, and the nature and quality of the harp itself.
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Includes a section on pyroengraving on Celtic harps.
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Descriptions, photos, history, and sounds of instruments used in performing early music. Includes the bagpipe, bladder pipe, cornamuse, crumhorn, dulcian, dulcimer, gamba, gemshorn, harp, harpsichord, hirtenschalmei, hurdy-gurdy, kortholt, lizard, lute, mute cornett, organetto, percussion, pipe and tabor, psaltery, rackett, rauschpfeife, rebec, recorder, sacbut, schalmei, serpent, shawm, shofar, transverse flute, viol, and zink.
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This group is for those interested in the study & play of the harp in the SCA. Discussions can include any aspect of harping, medieval and Renaissance music, early harps, classes, and organizing group harp activities at events such as the Pennsic War.
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Formed for North American friends of the harp interested in the exchange of ideas and informatio n relating to early harps, their constructi on, and their music.
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The 'Robert ap Huw Manuscript' is currently in the British Museum, and is designated B. M. Additional Ms. 14905. Part of it appears to have been written by Lewis Morris (d. 1742), part by Robert ap Huw, and part was allegedly copied out of the book of Wiliam Penllyn, a sixteenth century Welsh harper.
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Category Stats
Listings: 10
Regular: 10
Last listing added: 01/18/38
Regular: 10
Last listing added: 01/18/38